moving across the dynamics of feelings and rythms of matter, oltrarno recordings presents �observing organic structures�, a mini lp produced from the duo raccoglimento parziale. the breath of analog machines tarnishes the infinite mirrors of possibilities. our duo wants us to absorb their work not only with the ears, but through all our pores. attention becomes our antenna. to refine this package, long time friend of the duo spacetravel, who just released his debut double-ep on perlon, elaborates his personal view with a full galloping remix.
raccoglimento parziale is a project by stefano meucci and andrea giachetti
written and recorded in pausenraum, berlin, 2015.
mastered by stephan betke at scape, berlin.
artwork by juana anzellini, von der serie �anonyme�, 2015.

new years deal - another genre bending release on the healing company. modern sounding wave vibes and a great break beat loaded track on the flip that wont do harm to any good dancefloor!. -an ancient puzzle of mystification and nostalgia, waiting for the listener to unravel the mystery, but never offering enough clues to do so. while an ever-growing mass of synth layers and bulbous basslines flow across these two tracks, it never comes off as too clean, instead relying on the occasional detune or bitcrush to remind you it s being made by humans, not a machine.-

salamanca returns with their fifth release, proud to present two pioneers from the infamous dutch westland italo scene: peet need and savino. the duo came up with an excellent remix of marcia di kioto, next to their original song called hypnotized. on the flipside you ll find haunting synths by seer on voltaic break-beats delivered by afrobot. last but not least we have included an new wave edit from the mysterious simulanten.

in this age of pre-set play lists and total sharing of music, you more or less get served what you expect to hear. your musical preferences are predictable and you - with little or no effort - get access to music that suits your self-image perfectly and places you in a safe zone.
but what if these babysitting services went on vacation and you�re suddenly left alone in the post-industrial outback? where do you start looking? at first listen you might feel that the songs on loving hell by vox low, released on hoga nord rekords, might not suit your needs in such a cold, harsh existence. but that�s where you�re wrong. vox low�s sound might first appear frightening and cold to you but the tracks on this ep most of all carries with them depth, energy and persistence: the perfect soundtrack to reboot your system to and to get you going straight forward without looking back. this is music for the aftermath of a cathartic experience, music that generates a propulsion that makes you wanna walk on that road forever, music to help you rediscover what punk, rock and electronica really should be about - gut feeling.

es ist bereits das zweite comeback von pete doherty in kürzester zeit. nachdem er schon letztes jahr mit »anthems for doomed youth« ein neues album seiner band the libertines veröffentlichte, folgt 2016 mit »hamburg demonstrations« ein neues solowerk des britischen rockmusikers. es ist der nachfolger zu »grace/wastelands« von 2009.
die vinyl-lp erscheint inklusive downloadcode.

nyc loft trax exploded onto the scene a year ago with a white label containing unreleased dat tape archives from the 1990 s. people lost their minds and it proceeded to sellout of shops in what seemed like minutes! with anything that is from an unknown lost world you have your doubters, but those that know could hear and feel the validity of these authenthic tapes. you seriously could not capture the vibe that obviously was witnessed on that record. the label continued to dig into various sources to release all types of unreleased and amazingly good records. so with the integrity we see this label exercise get excited as this is another selection of lost yet found 1990 s dat tape trax! this is the real deal, let s not kid ourselves now. lots of hot heat on this one containing deep, dubs and disco! side note: the city in particular has a nu groove records story attached to it. basically it is the instrumental of an unreleased remix. that s all we have been told on that one. interesting! grab this now! expect this to go fast!

after a longer than usual break gamm enterprises is back on black plastic but more important... we got a brand new design! for those who don t know gamm has been delivering dance music of the blacker kind for almost 15 years but always with the same look. basically, a visual facelift was long overdue. but we think you ll feel it as much as we do and it really works beautifully with our musical ideology. so, for the (new) premier release we got an incognito producer that is rumoured to come from a small town in mexico. having finally agreed for a brief skype call he appeared wearing none other than a bright luchador mask and giving one-word answers with a strong mexican accent. no matter how convincing that was we still can t help thinking his name sounds pretty close to another producer that is to put it mildly, pretty hyped at the moment. musically the ep is ranging from percussive carnival disco (carnival in manchester) to brazilian fusion grooves (jazz in italics) and independent disco/funk (dues paid fast). either way you ll definitely find something that will work your party. gamm is back and back with musical vengeance!

on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

castanea records present its sixth release by pressure point. the vinyl includes 3 original rhythmical glitch/micro tracks which juxtapose to the melodic synthesis tending to housemusic noteworthy to the expansion of some modular randomized sounds . a complete ep in every respect which also includes a remix by tc80 targeted to the dancefloor . do not forget that the release will be only on vinyl

zarkoff returns to gooiland elektro� this time not as fffc but together with ikonal� a partner in crime when it comes to producing spacey and trippy acid tracks� these three tracks are from one of the infamous synth jams zarkoff is organizing in an empty factory near sisak in croatia� the acid tracks featured on this ep have a throbbing beat with a clear hint to ebm� and the acid lines are both psychedelic and dark� in short dark acid for late night parties!
the photo on the label is by gyula gy. kordes, budapest, hungary and is called �steel�. this work is part of the photographic collection of lars schwander, copenhagen, denmark.

tfbm004 is a special joint venture release with rebirth records to release some stuff we really care about the orginal mix of stop featuring kaysand, now available on vinyl, a special 13 mins rework by our beloved swayzak, and a remix of right now by freaks vs robert owens that really could not stay any longer in our hard drives!

quite frankly, in order to perceive the complete and total benefit of the side-throw half-wainshaft, the bushing and flange coupler of the main headshaft need to be in exact accordance with the specifications set forth in special bulletin 18.ab. if they are not of the proper dimensionary properties as discussed, the temperature compensation heat-load cycle runs the risk of over-flagguleation of the secondary belleville load-shedding pumped main suspension bearing, and that may lead to inaccordant oscillation of the tertiary and also quadranary and sextanary torque-bearing quadrant-shafts. simply put... 4 cuts and vinyl only!

the israeli producer yotam avni, though not one of the main players in the stroboscopic artefacts story to date, nevertheless shows that he is definitely here for a reason: having contributed with an entry in the monad series back in july, he returns with a new set of tracks that fit perfectly into the labels overall aesthetic of evolving hyper-reality, while also being a strong personal statement.

texas recordings underground made its mark this spring with the well-received techno/electro cyber tex ep that featured electro wizard cygnus and e.r.p. aka gerard hanson. not to rest on his laurels, tx connects gavin guthrie is following that up with the 2nd release on the label by austins man-of-the-moment bill converse. themes.

limited repress due to high demand on requests. eating records was born in the brussels underground scene, inspired by the idea of synthesizing two different horizons to get a beautiful concept. in the beginning it was simply the need to go back to roots and try to connect with the present and future, but eventually it ended up with a modern groovy label. the first release of the label was not that easy to find. the eclectic worlds of the two members did not really help them. but that was until they found jr from dallas - a talented dj producer from lille, owner of gourmand music recording - maybe food is the key... who knows ? jr has always been a forward-moving artist, but his music cannot - and should not - be mapped linearly. after releasing on labels as farris wheel recordings and greenhouse recordings, he had nowhere to go but backward for his new ep on eating records to its 90 old school beats and hypnotizing basses. phonical deep is gorgeous and evocative all the same. technival is stylish enough, and it is as restlessly creative as you would expect. it is followed by the hypnotic and beautiful remix of jay bliss of phonical deep - the eps final track. the fact is, jay bliss has managed to create something so refreshingly unique that trying to categorize and label his remix is rather dubious. he transformed the original melodic part to a blissful pad embellished with a repetitive rhythm spiced with tiny subtle details. it is easier to see this remix as the backbone of electronic music - simple and repetitive but never boring.

the durian brothers consist of rising polyrhythmic talent dont dj, outernational adventurer harmonious thelonious and salon des amateurs resident marc matter. following their excellent outings on kontra-musik and diskant, the experimental trio build on a burgeoning relationship with emotional response by gathering together some of the best of their intense, globetrotting sounds. theres a great focus on cyclical rhythms, not least on the wonderful planete sauvage, while mille yeaux takes a more spacious, groovy route through wooden percussion and pinging organic tones. considering the scarcity of the original diskant pressings of these tracks, this collection couldnt come quickly enough.

uk label aer returns with a 3 track ep. back on the controls is british label boss miles at the helm, giving us a journey of varying textures. after releases on aesthetic audio, art, ornate amongst others, miles esteemed reputation for discerning house & techno both as a dj & producer ensure this release is another pure piece of artistry. not one to compromise, miles delivers yet again. obliquity is a dub techno slice of hypnosis! emancipate gives us a beautiful string rendition amongst haunting lead lines, while whispers goes beyond the deep, down into ethereal emotive territory, giving the full release a nice snapshot spectrum of this mans work. superb release.

rawax proudly welcomes alexander dorn aka credit 00 to the rawax family!
back in the days at the west-saxon highlands there was a missile, which marked the starting point. when credit 00 saw the legendary rocket rise on tetris� final screen, it was the first time he became aware of electronic music at all. since then it actually hasn�t changed that much. he keeps pushing that buttons that belong to the impressive pool of music machines towered up next to his bed. after moving to dresden in 2000 to study fine arts, his passion for synthesizers and drum machines got nurtured through visits of dresden�s club-canalisation. he quickly made himself a name as a dj, who is just doing his own thing and got popular for that reason. as a part of the idealfun-crew he started hosting parties always in the twilight zone between legal and illegal. this led to �robo dance�, dresden�s only and (also for some other reasons) best electro club night featuring guests like dmx krew, luke eargoogle or imatran voima. the track credit made with randy barracuda of imatran voima has probably been created some time after the show. apparently, randy was not in good shape anymore and so �lebensraum� unmistakably bears credit�s hallmarks. for his own music he�s inspired by cannibal movies, number theory and birds. still, his music is not easy to pigeonhole. after all, he loves synth wave, electro, afro, kraut, kosmische, disco, italo, miami bass and other proto stuff � a lot of machine music.

mysterious producer kian t is a crazy guy living in a lonely house on a top of a hill somewhere in italy. surrounded by a collection of rare old synths and vintage samplers, a little dog and the best red wine of italy. kian is making beats all day long. that�s his life. he started his career on toy tonics last year and now is back with an own ep - full of that fucked up, jazz influenced cut & paste house sound that is taking over the house world since last year. similar to his friends rhode & brown, fouk, nachtbraker or the guys around oye records in berlin he loves to create this special way of sampling old jazz records and using rare vintage synthesizers instead of digital computer sounds. just listen to a normal deep house records of the last years and compare it with the sound of the kian. using these old synths makes a big difference. you can hear it on every of his tunes: there is no cheap sound here everything is fat and has a very warm, personal, always easy to recognize sound-aesthetic: courtesy of the four synthesizers he uses: the korg polysix, the sequential prophet600, a roland juno 60, and the legendary oberheim matrix 6. and courtesy of the way he mixes his tracks: not in the laptop - but the old way: on a fat old mixing desk. thats why he has that massive sound.

weve waited really too long to release this ep. these tracks were given to musique risquée more than 10 years ago and waited since then on harddrive before they got rediscovered on a boozy night in tokyo. they have not aged a bit, fresh as when they were given to us. maybe we werent ready then. but we are now and hopefully you are too.

catch recordings is one of the uks most interesting underground labels and to mark its 10th release it is back with another essential ep featuring four fresh tracks from swedish artist, random island records owner, inter gritty, who has previously released on labels like rise and deep moves. not to mention his own random islands works. since the birth of random island in 2012 he has carved out a singular sonic niche for himself with various solo eps and albums and also his partnership with nihad tule as ntta11.

this guy leibniz is back on rat life records. you might remember him from the collaboration with credit 00 on basement toolz volume ii. this time he goes for a full solo ep. the three course menu consists of a grimy appetiser called -bat-, if your stomach can handle this, we serve -uzi- as a main course, a whole round of bullets, very hard to digest. -2 simple- is for dessert, again quite heavy, full of fat and definitely not gluten-free.

every so often a piece of music is created that not only speaks to your soul with its lyrics but also moves your body with its rhythm.... louie vega starring anane vega heaven knows with remixes by josh milan and louie is exactly that piece of music. vega continues to apply the cardinal elements necessary for truly timeless music that offers something for everyone rightfully earning him the title as one of the kings of house music.

november sees not only one release from an italian on moon harbour, but two. the first was from riva starr, and hot on his heels is the top team of paul c & paolo martini.

the change ep is the latest solo release from lavvy levan, four tracks that seamlessly appeal to the head, heart and soul - and not forgetting the feet. the change ep see s lavvy continuing to stretch out, explore, search and cement his place in the house music family. the title track offers a frenzied filter-led groove, taking disco influenced house to a new level - a sure-fire feel-good dance floor monster. hurt takes a more laid back direction, laced with infectious vocals, scattered breakbeats and a summer-laden vibe that will please a happy soulful crowd. mess moves toward the avant-garde, with soaring sci-fi pads and a masterful sub-bass. striking and slightly heavier than lavvy s usual style. one not to be taken lightly. ... and finally peace is a rich, deep and rather emotive track with heart-wrenching chords and a driving bassline - this is lavvy delivering some his most personal and expansive work yet.

debüt ep des duos stereocalypse auf adriatiques neuem label siamese. stereocalypse verbinden erfahrung und instinkt, analoges feeling und moderne strukturen zu einer grenzenlosen expertise. sei es subtil und hypnotisch (lace star), atmosphärisch und exotisch-perkussiv (not a b-side) oder experimentell-trippy (shandy s eagle).

don t confuse radio silence with inactivity. the music might not have been flowing, but the plans were at schrodinger s box hq. and finally, after a shedload of work, we re back to the music. anton maiovvi is well known in the right circles. this bristol born soundtrack virtuoso, italo disco savant and all round electronic guru has travelled labels far and wide with his smorgasbord sound. and that variety is plain to hear on will to powder. from the epic opener of -clocks-, maiovvi leads you through his labyrinthine hall of shapes and sounds. expect warming melodies, cold beats, shimmering synthwork, brazen experimentation, a decent dollop of slasher scores and a pinch new wave romance in this. undoubtedly his most diverse album to date.

these songs were made over the past 2 and a half years by uchi: luna (january 2016), was named after a talking cat. it s kind of a sad story. you will find some synth sounds, three different kick drums, and a couple hi-hats. it s kind of moody. you can take it as it is, or not. pride is poison (july 2014) ironically, it s titled after experiencing dosages of unhealthy relationships, though it might be the one people like the most. it s sad-ish, noisy, bouncie, and bassie? that about sums it up. inc (february 2016) is titled after the international noise conference, where it was recorded. actually it s a 3 part spliced zoom room recording of a 25min long improvisation, made in a punk bar. the argument here holds, is it really worth it to make perfect music? where is the concept of -live- in techno anyways? it doesn t matter. it s just a semi-distorted recording of a moment that meant nothing to almost no one, and yet it lives.

ltd repress ... so after 6 various artist ep s we are finally back with our first artist ep .. in the depth of this confused music cosmos we are really happy to have discovered this 21 year old talent from london called cody currie. it s his first release ever and it features 4 tracks from him and a remix from moony me - killah disc artwork for the record comes from reinhard schön

nice price deal !!! the freihafen ep shows the inimitably techno producing of georg lange as dj argon. the modulated drums and baselines are always strong and raspy. all the songs are funky someway, primarily created with analogue equipment, populated with strident synthie sounds. it s not possible to call a genre, is somewhere between deep techno, dub and atmospheric minimal house. lets call it >argons music<- cheery, unique and coltish deep.

nice price deal !!! ltd to 250 copies worldwide, one sided 12 inch! part 3 of this limited vinyl only series! this time by syntec & linus quick! well known from his great releases on herz ist trumpf, momentum, geopark, musique unique and many others... this time the guys delivers not a minimal track, but a really groovy house / tech-house tune with a fantastic earworm voice! hurry up!

fresh back in � �limerence� is not only misantrop�s debut outing, it is also the inaugurating release of his own label foul-up. the sound pops out of an industrial mindset, but the title piece reverses out of garage/classic house that nods to 90s r�n�b. on �nocturnal emission� friend jon marius brogaard aeppli�s guitar solo is vogueing out on the floor, psychedelic rock meets psychotic blues by way of sheer uk sound.

bosconi extra virgin has prepared for you two super tasty various artists featuring 11 tracks by 11 new, fresh and promising producers mostly from all around the italian peninsula but not only! -the sweetest- volume 1 begins with the outstanding jazzy midtempo song of austrian producer m.a.r.s -feel the heat- and the deep space, italo soundtrack infected boogie directly from napoli of bop & 291out s -uomo dalle nuvole- , known for their releases on acido records and really swing.b side features instead the chugging raw deep house track (($)) from misterious producer from tuscany def safari and more funky, garagey, soulful vibes and broken beats by the mechanical man from napoli and young artist jts1 from milano.

solarism is the result of a common fascination for landscapes and a passion for contemplation. after two decades of an unbreakable friendship, we have finally imagined a way to express what contemplation has offered us and how it connects us to the world, describing those experiences through musical compositions, dj performances and welcoming other artists to release their art. here is how markus described his mind�s landscape composing these pieces of music, and it talks more than any description: have you ever thought that you are two people? do you have memories that are so detached from who you are now that you sometimes believe they are not your own? like something you have read or seen in a movie? you wonder who that was, your very own tyler durden? and here he is with a gift from another time when i was another person, living so fast and unconscious that i eventually almost lost the only thing we really have � my life.

spell pets backwards to get step. spell step forwards and you get pets going back to basics. step is the new vinyl-only label from the founders of pets � catz n dogz � with a focus on the rawest forms and root functions of dance music. step searches for the fundamentals with under-theradar house and techno thats not afraid to be rough around the edges. its all about the music.

the cd included in this vinyl edition features the 15 tracks in the same order. mr oizo (aka quentin dupieux), the french producer and pioneer of modern electro alongside daft punk, air and cassius simply can�t and won�t stop working. having released 5 studio albums, 4 osts, a multitude of eps and directed 6 movies over the past 20 years, the �godfather� is back with a new album. and this time, he is not alone as the tracklist features an impressive selection of quality guests: peaches, boys noize, skrillex and charli xcx among others. this new release will be a new occasion to further explore the mind of one of the most fantastically uncommon artist today.

kintsugi: a japanese technique for repairing broken pottery with veins of gold long time cohorts he/at (aka chris finke) and tom dicicco join forces for the first time to form �kintsugi soundsystem�, a special label & performance project which kicks off with the split �journey to yomi ep�. four special tracks to launch their new imprint , sinister atmospheric techno but not as you may know it , searching deeper and further. rounding off the ep are the first 2 �veins of gold� in the series � locked grooves cut specifically for dj use. fierce loops for use in your warehouses � warning.. club tested and devastating for the adventurous dj.

nice price deal !!! belgium based artist olivier gr?oire aka kolombo, well known for his releases on labels like systematic, turbo, boxer or his own imprint viceversa, is coming up with a new ep on blufin. the steady & high quality of his productions made kolombo a key artist of the blufin rooster for a good reason: he never failed to impress us and sure is not about to start now. supplementing the release, italian producer daniele papini adds his modern interpretation of tweedle dee. we say yeah !!!

repress in black vinyl / dj support, raresh (arpiar), sante (cocoon / desolat), chris carrier, ilario alicante, dj w!ld, ....
james barnsley s imprint has reached considerable momentum so far with releases from himself, scan mode, dj honesty and dj w!ld, not to mention remixes from daze maxim, laura jones and burnski to name a few. in its fifth release vessel sees the leeds based label boss pair up with irishman gavin herlihy, known for releasing on leftroom and apparel music, under their newly launched trackers moniker. hexagon paves the way forward with shuffling percussion, arpeggiated synths and mesmerising effects, before memory game delivers crunchy snares and dubby echoes. unison wax and beste modus founder diego krause then takes his hand to hexagon , creating a rhythmic rendition built on intricate drums and hypnotising atmospherics, until french duo s.m.a.l.l & paco arrive under their politics of dancing pseudonym to convert memory game into a bass fuelled dancefloor workout.

rotten city records welcomes a new citizen, but not a newcomer tothe scene. he is luca rocca atagliati, best known as dj rocca, a veteran dj and producer from italy, half ajello, half supersonic lovers, half from crimea, a third of electric tree and regular contributor with legendary dj�s like daniele baldelli or dimitri from paris. after his multiple releases on labels like is it balearic?, nang or futureboogie, luca joins to our beloved rotten city with two original tracks showing his darker, narcotic and narrative side, concocting a bizarre and labyrinthine disco, which develops a spiral shaped staircase from the inside.

the house music super group not from paris but from duisburg strikes back with their second 4-track ep on so glad records!

ltd to 220 copies
long time minimal techno pusher franklin de costa steps up to jersey city label green village to thrown down a ruckus with four serious cuts of advanced house and techno. -derp journal- may be flippant in name, but the bassline it packs is not to be trifled with, nor the edgy drums and lashings of reverb. -bogart space- is a more house-minded affair, but it s still reaching to a contemplative space using unfamiliar sounds. -good day bad day- gets into a cyclical, psychedelic mood thanks to a trippy synth circling overhead, but then the ep gets dealt a tough finishing blow by the cranked up hustle of -flashmelo-, coming on like a crunchy mid 00s minimal jam of the highest order.

them records welcomes back hiroaki iizuka for the its fifth outing. having supplied the the run as the labels first record, here iizuka doubles its play time and track listing length in his stunning voodoo ep. the extra time offered allows iizuka to flex more of his versatile style. them as a label sets out to eschew a techno norm largely made up of a traditional 4 x 4 sound. having come from a london background, the curating of the label gives a nod to the rave sounds of the capital - especially d&b, garage, breakbeat hardcore and grime. that is to say of course along with its characteristic aesthetic of horror and the gothic.
in iizuka them found a common ground: based in hokkaido, japan, iizuka does not share the same london influences, yet shares their base values and thrust. common themes of his sound involve broken and syncopated beats, and a rave energy. this is what lead him to being the first and prime them stable artist. voodoo ep showcases this breadth of iizuka�s style, from tracks that could easily fit into any grime set, such as primitive acid, to the more melodic tones of floating point, in which hiroaki guides them into previously untrodden ground for the imprint.

vinyl only - round 2 for neukolln based boutique imprint xk after hauke freer s phenomenal first volume left heads baffled all over the place. this time, the label hands the a side to retro spook maniac matthias reiling, who opens with hand of hope, a tune that fuses an attitude-heavy, upright bass / piano theme with a cold hearted drum workout. strongly physical, sensitive, yet somewhat arrogant as we feel here. reiling twangs up his stratocaster on melodioso and explores the possibilities of sequencer based surf rock. you know, like a computer trying to be a backing band or the other way around. we can t help but imagine chris isaak singing under the shower to this one. the b side is freer territory once again, and hauke takes us deep into his realm of hypnotic, druggy dub-disco sculpting. reach out sucks you in, leaves you utterly disoriented and makes your mind paint a picture you would not have painted elsewhere. when you try to tell your friends, you can t find any words, yet it feels right and you all smile at each other.

croatia s le chocolat noir debuts on charlois with four cuts of embittered, ebm inspired, electronics. an ep of contrasts. wrenching vocals are scored by brash synthlines. slicing snares, countered by a cold and bright hope. frigid warmth from the heart of zagreb.

last year, an enigmatic name seemed to appear out of thin-air. sam weston was apparently a fresh upstart in the australian house-scene releasing a dusty collection of late-night/early-morning jams aptly titled shiraz voyager. with this rose-tinted house release in hand, weston arrived on the scene and people took notice. the tape sold out within weeks. thing was, sam weston was not a fresh-face at all. he was here all along, although more commonly known as one half of influential sydney techno duo � alba. lorded for their brand of live-fire robotic grooves, alba became trailblazers in a town more miami than berlin, where brooding and rolling hypnosis weren�t often preferred to fist pumping �bangers�. wanting to flex his lovin� spoonful of hypnotic lo-flung house, weston decided to release a handful of edits on his soundcloud. immediate attention was conjured and sam weston released the aforementioned shiraz voyager ep to a pretty amazing response. almost overnight, australia had a new hero in weston�s warm compositions that summon memories of sunny days and happier times.

10 years ago the29nov films was started in a small village in southern germany. thousands of videos and millions of views later sebastian kökow and kevin paschold have become one of the most sought after video producers in electronic music - mostly for industrial-leaning techno, but also for all other kinds of electronic music. to celebrate their 10th anniversary the29nov has finally gathered a few of their favourite artists and they all have contributed to a compilation, which will be released on 2 double 12-es, one out in november 2016, the other one to follow soon.

blaring and unnerving, yyyy s intention of mortal gets revisited with a remix package featuring lucy, varg, ascion and yyyy themselves, resulting in a barrage of arpeggiated behaviour and regimented soundscapes. a force pushing forward creativity with on-point refinement, lucy immediately veers in with his visceral power of sound. an avalanche of intricate and experimental arrangement soon meets a series of astute percussion and typical foreboding energy, retaining a certain texture-over-beat throughout. yyyy s depth of music imagination & influence is heard in this highly charged, awestricken ensemble for their rework of intention of mortal . unfolding a mixture of fear and complication, this track keeps you thinking as well as moving. an almost endless supply of plucked synth rhythm keeps the chaos taut and throughout. ascion s remix of stone relief of gods faces credits the release with clean kicks, industrial clanks and atmospheric keys. this no-nonsense approach to production is not to be underestimated, a dream-state sequence of induced electronic abstraction. the first and most immediate observation of b2 is vargs take on reach for forgiveness - a menacing, pin-sharp account of the visceral power of techno, dialling in to both tense and euphoric. the ambiguity of each track lends itself to its success, meticulous in detail and curated with passion. a release that divulges the mysterious sonic world and deviates from the expected.

meda fury welcome back oakland resident damon bell for another accomplished ep of rugged cosmic grooves and tribal pressure. bell is riding a rich wave of form with a killer recent release on don�t be afraid, and even more fire on the burek label, not forgetting his impressive debut last year on his regular home, the mighty deepblak - he�s a proven master at fusing afro-centric rhythms, rich keys and off-kilter pads into an urgent and contemporary form of house music that deftly eschews cliche. �akebu-lan� commences the ritual with a gospel vocal loop over pumping 808 kicks and tranced out swollen pads, giving way to ecstatic fender rhodes chords and climatic piano, reminiscent of robert hood - is this bell s fastest bpm track yet? loose/live jazz keys riff throughout �ether� creating a warm rich miasma of sound against the distressed percussive gyrations and sinister drones. hypnotic synth riffs tumble over the powerful drum-track in �altered visions� creating a deliciously hypnotic chug. drawing the ep to a close, deepblak and pan cohort african sciences joins bell for the sizzling �kinetic energy�, a sleazy, skronking cut of slurred moog bass and atonally pitched toms wrestling with thumping kicks and whispered vox pummel the listener